论文目录 | |
| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Acknowledgements | 第7-9页 |
| Introduction | 第9-18页 |
| Chapter One Montage:the Achievement of Spatial Form | 第18-27页 |
| · Fast Cutting of Space-time | 第19-23页 |
| · Juxtaposition of Two Parallel Story Lines | 第23-25页 |
| · Dissolve | 第25-27页 |
| Chapter Two Imitation of Film Language | 第27-38页 |
| · Reader's Eyes as Cameras | 第27-31页 |
| · The Visual Description of Environment and Mental Activity | 第31-32页 |
| · The Cinematic Depth of Field and Composition of Picture | 第32-36页 |
| · Narration of Different Points of View | 第36-38页 |
| Chapter Three Narrative Significance of Cinematic Features in Light in August | 第38-52页 |
| · Similarities between Films and Novels | 第39-42页 |
| · Editing as a Narrative Device | 第42-43页 |
| · Time and Space in Cinema | 第43-45页 |
| · Point of View in Films | 第45-49页 |
| · Sculpting of Films | 第49-52页 |
| Conclusion | 第52-55页 |
| Works Cited | 第55-56页 |
