论文目录 | |
| Acknowledgements | 第1-4
页 |
| Abstract (English) | 第4-5
页 |
| Abstract (Chinese) | 第5-8
页 |
| Introduction | 第8-11
页 |
| 1. Theoretical Review | 第11-18
页 |
| 2. The Literary Form of Othello | 第18-25
页 |
| · Blank Verse ─the Dominant Literary Form of Othello | 第18-22
页 |
| · The Origin of Blank Verse | 第20
页 |
| · Blank Verse and Drama | 第20-21
页 |
| · Blank Verse and Poetry | 第21-22
页 |
| · The Application of Another Two Media | 第22-25
页 |
| 3. Different Versions of Othello and a Comparative Study | 第25-35
页 |
| · A Historical Review and Two Schools of Translators | 第25-32
页 |
| · A Historical Review of the Translating of Shakespeare’s Dramas | 第25-28
页 |
| · Two Schools of Translators | 第28-32
页 |
| · A General Comparison of Five Versions of Othello | 第32-35
页 |
| 4. Superiority of Versions in Verse to Versions in Prose | 第35-50
页 |
| · Faithfulness in Style | 第35-37
页 |
| · Faithfulness in Dramatic Effects | 第37-41
页 |
| · Faithfulness in Aesthetic Beauty | 第41-48
页 |
| · Faithful Conveyance of the Sound Effect | 第41-43
页 |
| · Faithful Conveyance of the Visual Effect | 第43-48
页 |
| · Good Application of the Chinese Characters | 第48-50
页 |
| 5. Conclusion | 第50-53
页 |
| Bibliography | 第53-55
页 |
