论文目录 | |
| Acknowledgements | 第1-7
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| Abstract | 第7-14
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| 摘要 | 第14-18
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| A Note on Abbreviations | 第18-20
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| Introduction | 第20-34
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| Chapter 1 The Postmodern Social and Cultural Contexts of William Gaddis | 第34-43
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| A. The Concept of Entropy in the Postmodern United States | 第35-38
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| B. Entropy in the Postmodern Artistic Theory and Works | 第38-43
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| Chapter 2 Entropy in William Gaddis's Postmodern Human World | 第43-66
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| A. Entropy in American Capitalism System | 第43-56
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| 1 The Commodity Fetish and Free-enterprise System | 第44-48
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| 2 The Corrupt Interpenetration of Government, Religion and Big Business | 第48-52
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| 3 Absurdities of Laws and the Legal System | 第52-56
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| B. Entropy in American Capitalist Culture | 第56-62
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| 1 Art in the Commercial Context | 第57-61
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| 2 Education Versus Commerce | 第61-62
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| C. Entropy in Individual Selfhood | 第62-66
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| Chapter 3 Entropy in William Gaddis's Postmodern Artistic World | 第66-101
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| A. Gaddis's Deconstruction of Traditional Spatio-temporal Concept | 第66-71
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| 1 The Postmodern Disruption in Time and Space | 第67-69
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| 2 Gaddis's Deconstruction of Time and Space | 第69-71
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| B. Gaddis's Narratives of Entropy | 第71-89
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| 1 The Palimpsest of Fragments in The Recognitions | 第71-76
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| 2 Complicated Montage in JR and A Frolic of His Own | 第76-79
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| 3 The Indeterminacy of Gaddis's Fictional Writing Carpenter's Gothic | 第79-89
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| C. The Dialogical Structure of Gaddis's Polyphonic Novels | 第89-101
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| 1 Double-voiced Discourse | 第90-93
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| 2 The Heterogeneity of Discourse | 第93-94
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| 3 One-sided Telephone Conversation | 第94-96
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| 4 Loss in Communication | 第96-101
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| Chapter 4 The Salvation of the Entropic Postmodern Human World | 第101-121
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| A. Establishing a New Religion in Postmodern Time | 第102-110
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| 1 Return to Alchemy and Matriarchal Myth | 第104-108
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| 2 Return to Flemish Painting's Spiritual Hope | 第108-110
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| B. Black Humor | 第110-114
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| C. The Appeal to the Sublime | 第114-119
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| D. To Live Deliberately | 第119-121
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| Chapter 5 The Salvation of the Entropic Postmodern Artistic World | 第121-148
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| A. Hybridization | 第121-128
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| 1 The Collage of Different Genres | 第122-124
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| 2 The Convergence of High Culture and Popular Culture | 第124-128
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| B. Carnivalization | 第128-137
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| 1 Participation in the Counterfeit World | 第129-135
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| 2 Carnivalesque Language | 第135-137
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| C. Reader's Participation in Gaddis's Tower of Babel | 第137-143
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| D. Constructionism | 第143-148
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| 1 The Application of Informational Technology in Narratives | 第144-145
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| 2 Fantasies of Science and Technology | 第145-148
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| Conclusion | 第148-155
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| Works Cited | 第155-161
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| Index | 第161-163页 |
