论文目录 | |
| 摘要 | 第1-6
页 |
| Abstract | 第6-10
页 |
| Introduction | 第10-19
页 |
| Chapter 1 Blues and Its Literary Significance | 第19-32
页 |
| 1.1. Blues: Musical Definition and Literary Function | 第19-27
页 |
| 1.2. Literary Significance of Blues in Invisible Man | 第27-32
页 |
| Chapter 2 Blues as Thematic Representation | 第32-56
页 |
| 2.1. Blues Lyrics in Thematic Representation | 第33-43
页 |
| 2.2. Blues-related Descriptions in Thematic Representation | 第43-49
页 |
| 2.3. The Spirit of Blues in Thematic Representation | 第49-56
页 |
| Chapter 3 Blues as Characterization | 第56-77
页 |
| 3.1. Blues in the Making of the Protagonist | 第57-66
页 |
| 3.2. Blues in the Making of Other Characters | 第66-77
页 |
| 3.2.1. Jim Trueblood | 第66-70
页 |
| 3.2.2. Mary Rambo | 第70-73
页 |
| 3.2.3. Tod Clifton | 第73-77
页 |
| Chapter 4 Blues as Narrative Strategy | 第77-93
页 |
| 4.1. Blues Shaping the Narrative Structure of the Novel | 第77-80
页 |
| 4.2. Blues Forming Narrative Devices | 第80-89
页 |
| 4.2.1. Polyphonic Techniques of Call-and-Response | 第80-83
页 |
| 4.2.2. Improvisation | 第83-86
页 |
| 4.2.3. Repetition | 第86-89
页 |
| 4.3. Blues-like Lingual Formations | 第89-93
页 |
| Conclusion | 第93-96
页 |
| Notes | 第96-98
页 |
| Bibliography | 第98-104
页 |
| Acknowledgements | 第104-106
页 |
| 攻读学位期间主要研究成果 | 第106
页 |
